Tag Archives: angst

A Highschool Story: Ms. Young

I don’t often couch stories with extraneous information, but here it seems relevant. If you’re not interested, please continue on to the story, which I feel is just as good without.

My friends know (my family may not) that I loathed Plano with every inch of my being while I was there. It started with the classroom and moved further out to the manicured lawns and streets. My entire sentient life there I spent attempting to leave in one form or another. Not the least reason for my frustration was my consistent poor performance in school.

That’s not to say that I tried really hard and failed. I hardly tried and rarely failed, but I was always looking for something that just didn’t seem to be there. Who knows at this point what it might have been, but as my life has progressed, I think the desire has morphed into a search for a mentor, for somebody to believe in me or perhaps just see me for my potential. Teachers, for all their intentions, seem to me incapable of fulfilling this role. I discuss this more in an article on Sadi Ranson-Polizzotti’s Tant Mieux, but suffice to say that teachers have to concern themselves more with your test scores than your potential out of mere practicality.

Some have argued with me, saying that my English teachers’ collective challenge to my ability could have been applied reverse psychology, hoping to make me shape up by telling me that half-assing it wouldn’t cut it. Perhaps if the fact of my performance in the classroom had been limited to one or two teachers, or even to five, I might agree that it’s possible. However, I nearly failed every English course I ever took in high school, I actually failed the only English course I took in college, and the closest course to an English course in my post-grad work is the closest one in which I came close to receiving less than an A.

Another theory, posed by no one who knows me but one I have to pose just to prove the example, is that I can’t think critically. Since I don’t cover all of the angles to any given topic, I deserve my low grade because it’s symptomatic of half-assed work. Well, my work history in addition to standardized test scores disagree with this theory, and hopefully there’s ample proof on this blog alone that such is not the case.

I posit, therefore, that English teachers simply didn’t understand. They didn’t see the promise in my essays not because it didn’t exist but because their academic dogmatism kept them tied to more traditional approaches (those things very near plagiarism that was call “essays,” as much a violation of intellectual property–even if the owner is long dead–as any basic example of unsolicited remix). Call me arrogant if you want, sure, and empty of promise, but in my opinion, English rooms are sterile and stifling environments that squelch creativity and independent thought. I have no love for them at all and, as soon as I had the choice in my academic career, avoided them to what I consider my benefit.

Of course, what’s happened here is that I’ve moved from loathing Plano and it’s English departments to loathing English teachers in general. Baylor had nothing to do with the PISD, and Emerson College in Boston, MA certainly bears no connection. So what do I do with this leftover rage towards Plano, most of which was tied up in my inability to make my peers there understand either my frustration with them or merely my simplest thoughts, a basic communication dilemma that continues to exist to this day? Well–and fuck you, Mani–I still hate Plano, even if I can forgive it this slight little bit.

**

Though in the English hall and an English classroom or Jasper High School, I chose Creative Writing because Ms. Young sold me its distinct image. Her classroom buzzed with energy because of her youth and zeal; unmarried and unburdened by the relentless years of classroom experience that weather away the beautiful composite face comprised of the students who supply her reason for having chosen education as a career, she’s decided to teach a course no other teacher felt willing to shoulder but which helped Plano appear more well-rounded. I’ve never found diversity (especially of thought) in an English classroom, but I decided to give her new course a shot.

Fifteen minutes before the bell rings, Ms. Young asks everyone to stop writing and requests that someone read the work they had accomplished that day. I look around at all the other students, a few of whom keep their eyes down while others look around like I do; white faces all around. No one looks at Ms. Young while she scans the room, afraid to volunteer by eye contact. She really is quite pretty with her long, thick brown hair and her pale but hopeful eyes. Her mouth hangs slightly open as her head turns from side to side, and her body, red sweater, and brown skirt are motionless. When I look away from her, my eyes land on the inspirational poster on the door about walking in footprints on the beach; I roll my eyes, keep my head down.

Marissa leans over and puts her hand on my shoulder so she can whisper, “You shouldn’t be afraid.”

I don’t turn my head to look at her, but I smirk. “Neither should you.”

“I’m not. I didn’t write anything.” I can imagine her crafty smile, resting lightly upon her pretty but slightly scarred face. She’s allergic to her own sweat, which causes her face to constantly break out. I look over my shoulder to make sure it’s there, pleading with me like I expect.

We chuckle quietly together, and I resign to volunteer. I can’t quite claim an alpha personality, and my decision doesn’t really stem from a desire to save Marissa from potential embarrassment. I feel compelled to end inefficiency in how my class spends its time when the silence drags on vulgarly.

Ms. Young smiles at me while I tremble in front of the class, my nerves suffering under a weird mix of terror and excitement. There’s only twelve students scattered amongst the tables in the classroom. I know everyone in here by name. I shouldn’t feel scared of them.

A wizard stands on a cliff ledge overlooking a village that trusted him for protection. (Already the shaking has subsided.) The flames from the village are strong enough to light his face, scarred more than wrinkled, experienced more than wise. (I forget the classroom; only the page and my scrawl exist.) He has failed them; he wants to shoulder their burden, the weight of his failure measured out by the ashes of burnt homes and the bodies of murdered victims, but finds himself unable. (I am the wizard; no, I am his sorrow and his guilt. No, I am the world he wants to bear. No.) His arms reach towards the stars as he screams out a long, undulating cry to the heavens: “I’m sorry!” (I’d never make it as an actor; I’m suddenly conscious of the other students again.) He leans forwards, finds himself capable after all.

I beam with pride. Students applaud lightly and nervously, not really sure about what they’ve just heard. Marissa smiles, the vain Catholic. The bell rings, and she and the other students bolt. I return to my seat and shove the paper in haphazardly.

“I don’t get it,” says Ms. Young.

I answer her quietly: “I know.” I’m not sure she hears me.

I leave the classroom without discussing the story with her. It wasn’t complicated, or maybe it was, but at any rate my mind had rushed to other subjects than my creation. Ms. Young had implied a request for me to breakdown the story; she had asked for me to treat it like literature and explain it to her. She claimed that she didn’t understand, but could she really not have? I wonder briefly, Can my incomprehensibility cover my life to such an extent as to umbrella every instance of  communication, both the fantastic and the academic?

I leave the carpeted English corridor and emerge over the polished tile of the hallway. In front of me, a metal banister splits the stairway in half. I approach it and rest my right hand on it, looking at the reflection of a florescent light obscured by my head and shoulders, the floor too opaque to show my reflection in detail. The bell rings for class to begin, but I’m lost in thought and not the type of student who frets over punctuality anyway.

English teachers pose literature as my nemesis with their superficial questions and their polite challenges and impolite grading, but I know truth doesn’t reside in rebellion. I don’t want to feel the weight of the world of ideas in my mind or to criticize anyone’s arrangement of words in an educated manner, but not because I don’t enjoy reading or thinking. Actively engaging a story takes away the passive pleasure of reading it, and I’m content with the passive pleasure, aren’t I, the satisfaction of writing, of reading, of thinking abstractly without criticizing specifically? I would have to submit to my formally recognized enemy, my teachers, if I engaged a work actively, wouldn’t I?

I’ve been told that by imposing academic structure on my mind, I will broaden my understanding of the world and multiply the number of subjects I can ponder. But the fact of the matter is—as I prove when I sit in the reigning creative silence of Ms. Young’s room—that I can hardly get my mind to shut up. The last thing I need from it is coherent categorical thoughts.

I utter words and phrases that apparently only I can understand. I formulate ideas that only I can stomach, only my tongue decipher. I’m not convinced that educating myself in the manner my teachers have suggested will help them understand me. Not only do I doubt their conjectures, I feel almost certain they are wrong.

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Author: Greg Freed

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Filed under Creative nonfiction, Criticism, Fiction, Humanistic, Writing

Why William Gibson’s _The Gernsback Continuum_ was right

I empathize. Empathy is my core character trait. I strive to identify with people, to speak their language, to understand their ideals. Sometimes people react by leveling with me, by telling me that I’m wise beyond my years or that I’m easy to talk to, that I have an honesty not often seen in this world. Other times, most times, it gets me labeled as arrogant. People ask me who I think I am to act like I know their story, like it might be something comprehendable, comprehensible. I don’t know them or where they came from except insofar as they’ve told me, it’s true. And still I try to empathize, and even with those who pull away, even those who insult me to keep their fair distance, I try to understand.

Why do I hold empathy in such high esteem if it causes me more problems than simply letting people alone? I honestly believe that empathy makes one see the world more honestly and brings one closer to “the truth of things.” This drive empowers my writing, drives my editing, and supports nearly single-handedly my lifestyle and my worldview. To me, in ways immeasurable yet definable, empathy is everything.

This blog is my brainchild; it carries the most true expression of me outside of myself even in this experimental infancy. And nothing will explain me to you so well as explaining the connection between empathy and a frustration that stems from a failure to communicate how deeply the author understands the individual, especially when the audience isn’t aware that the work is the author’s attempt at understanding their audience. However, these frustrations generally inspire better and more honed arguments and writing, which is what I want to attract.

I want to create a steam-valve for authors who, like me, have spent their lives under the burden of miscommunication and misunderstandings. Empathy is something that gets far too little sympathy in this world. I don’t want to publish or to create a safe-haven; I want to vent frustrations that are similar to the ones I’ve carried with me all my life as a burden, when it should be anything else. For us, writing is catharsis, is release, but never is it a lightening of the load.

With that purpose in mind, let me introduce you to James Gregory.

**

I have a pointless story to tell you. I used to tell it to get people to go to Austin with me. It didn’t ever really work. People seemed to want to go to Dallas because Dallas was supposed to be a conservative city, unlike Austin. It’s an incorrect distinction.

Dallas is a really liberal city. They put up the veneer of a right wing dullard just so that people feel safe. It’s real liberalism at work. You know the classless society by making everyone equal; everyone in Dallas is equal by their lack of having any discernable differences.

The buildings are made of only the newest and cheapest of last year’s space aged materials and wrapped in glass so that all you see is a reflection. If you live in Dallas, you are probably older than most of the glass boxes we pass off as architecture. They are tall and that’s the only defining feature. They build tall to dwarf you. You’re insignificance in palatable next to an unnecessarily tall building with an army of suited creeps coming out of it.

He's talking Dallas. I'm showing New York. Make sense? Yeah, it does.

He's talking Dallas. I'm showing New York. Make sense? Yeah, it does.

Austin on the other hand talks a liberal game but really they can’t have real liberalism happen to them. Classes are heavily apparent in Austin. You got the trannies, the queens, emo kids, punks, hardcore kids, mall core, UT students, rich kids, poor kids, hot girls, skanks, virgins, fat chick skanks, redheads, and so many more. You can even move between them. At one point, I was probably mistaken for a high school emo kid. A bad hair cut was to blame. I’d probably be able to fit in pretty well as a UT student or given the right clothes a rich kid, queen, hardcore kid, or whatever. It’s much too democratic to be a one class society there.

I went to Austin to go see a movie a few years back. Election 2 was not playing in Dallas; it was foreign and involved gangsters. I drove four hours to Austin listening to Rilo Kiley ’cuz I think Jenny Lewis is hot. But I think all redheads are hot.

I got to Austin and we had time to kill before the movie. We went to go watch Slaughter House 5 while we waited. It was not the best movie, but I hadn’t expected much since the book wasn’t so good, either. America has a strong science fiction tradition with Philip K. Dick and William Gibson. We show our bad taste by holding up Vonnegut and Asimov as good examples.

The movie thankfully ended after two and a half hours. I got hungry. The paramount movie theater/play house is right by 6th Street in Austin, the fun part. In Austin, though, you see the gorgeous downtown buildings and can’t help noticing they put Dallas to shame. We wanted to get some pizza at one of those crappy places that sell less than stellar pizza. that still manages to taste amazing after you get a few in you.

We walked down the street and ran into Leslie the Tranny. Leslie is down there all the time. He has a head like Grizzly Adams. His body resembles a Frankenstein of Pamela Anderson with a steroid induced Larry King. I will never hold it against my friend for giggling. But the giggling was why Leslie started following us. He was frighteningly quiet outside of the other giggles he was eliciting due to a combination of stealthy sneakers and the loud and proud bikini. Thankfully, he ran into a hot woman and began to talk to her. It was at that point that I realized that even me and Leslie have something we agreed on. She was not a red head, though. Dark black hair is almost as good.

The pizza was not the best looking thing either me or my friend had seen so food was still not happening. Also, we suddenly realized we needed to get all the way across town to see the other movie. The movie I drove four hours to see. We started walking back to the car, back across 6th. But we’re being followed by a bunch of cute naughty school girls. A few of them were Asian, and I have to say wonder why they would play into their own stereotype. Probably, college kids trying to make dad Dad mad, or they were going to one of the many self declared modeling agencies around Austin.

All this is happening as I’m walking in front of a massage parlor with an ATM out front. The name of the business is Midnight Cowboys Massage Parlor. No, I did not make that up. I also see something named along the lines of Heavy Metal Pizza and half expect there to be a dungeon master in there with the way it looks from the outside. It probably had good pizza.

About as non-corporate as you get

About as non-corporate as you get

Eventually, we got across town, found a Chipotle, and saw the movie, which was amazing. Johnnie To is one of the best directors in the world, and thankfully I live in a country where you can see his movies.

The movie could’ve gotten him killed. It’s about the Chinese government’s involvement in the triads, the Hong Kong mafia. He had debuted the movie in France so that the Chinese censors couldn’t take all the flavor out of the movie. (They have a tendency to destroy the original footage of things they don’t like.)

We had a great time at the movie. When that one dude got turned into dog food, my friend said we had a winner. Afterwards we went to get snacks, since Austin has great food. Unfortunately, we didn’t go to some glorious hole in the wall but to a place my friend called the Shady Shell. It was appropriately named since it was a shady looking Shell gas station with a drug deal going on out front. Reason for the Shady Shell experience was for me to meet my clone, who turned out to be gay with too much make up and in possession of a crack nail that I could only label impressive. My clone was ready to be swept off it’s feet by once it noticed me, only I wasn’t willing. I think we parted on good terms, and I’ve certainly glimpsed the Andy Warhol version of myself.

The night went on. We watched another movie where Pierce Brosnan armed with a knife flew out of a dead horse screaming like a girl. It was fun and funny. I’m not making that one up either. Name of the movie is Seraphim Falls.

The next morning I woke up, said good bye to my friend, and drove back to Dallas. I listened to the same CD again. I kept thinking how hot redheads are.

Our country is becoming Dallas when it used to be Austin. We’ve always had a strong anti-democracy streak thanks to farmers and Southern landed-gentry types. The current problem began around FDR when he declared war on the free economy, which if anything is the ultimate freedom of a shark pit.

He was determined to make the nation controllable. He made a system where everyone answered to him. His pet project was communes that were made out of only white people that all had the same house. A few of these blights still stand in the south.

We’ve never recovered from it. You see a few gasps here and there at the sort of fun we used to have in this country. We had Woodstock. We had Orson Welles. Russ Meyer cranked out movies in the 60s and gang banging people into the theaters with promises of topless women. Drive ins showed movies with names like Kiss Me Deadly, which is an amazing movie (go see it!), and Mondo Topless (not so much).

Obama wants to make us more like Dallas. His plans always encompass everyone. He wants us all to be accountable only to him. He seems determined to make us a place where the old and established rule with an iron fist and any sort of freedom must be squelched in favor of the bland, Godless whole.

House of God, meet tower of phallus.

House of God, meet tower of phallus.

You won’t be able to drive four hours to see a movie because your gas will be too high to pay for cause they will have to tax gas to pay for the deficit that will be through the roof on universal healthcare. You will not get a single foreign movie because tariffs are soon going to have to come into play to keep corporations from leaving America in favor of out sourcing. Places like heavy metal pizza, Midnight Cowboys, the paramount theater, and the Shady Shell will go away to be replaced with faux European-style concrete blocks staffed with angry, entitled middle agers.

Everyone complains about the Me mentality of people. The problem is that we don’t have a Me mentality. We have a childish one. People elected Obama because he said he would be their daddy. No one likes living with their parents, trust me on that. The Me mentality produces movies like Election 2, 500 Days of Summer, The Diving Bell and The Butterfly. It makes books like Brideshead Revisited and Pale Fire. It makes pizza like Heavy Metal Pizza. Obama’s universal this and that is an attack on the individual. It’s an attack on Me, and, as Austin proves time and time again, Me is the one you’d rather spend time with.

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Author: James Gregory

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Filed under Creative nonfiction, Criticism, Features, Guest author, Humanistic, Statement of purpose, Writing